Compositions (list can be filtered by the first letter of a composer name)
Composition |
Composer |
Creation year |
Recording |
Score available in HIS |
Score available in ČRo |
Experiences of a Day
for single- to 2-voiced children's choir and piano |
Eben, Petr |
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Co si trochu zasemrovat?
intermezzo pro kom. orchestr, z caklu Hudebni zertiky |
Sternwald, Jiří |
1989 |
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9898
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Co to mas, ma mila
pro smiseny sbor, z cyklu Tri lidove pisne |
Šesták, Zdeněk |
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S69
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Whatever Can Become of the Tango
for 4 bassoons (or four saxophones) |
Zouhar, Vít |
1997 |
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Le chant du merle au détenu
for mezzosoprano, flute, accordion and piano |
Kopelent, Marek |
1991 |
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What Sang My Grandmother. Cycle of songs for female choir
|
Chaun, František |
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S103
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COAX
|
Graham, Peter |
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Coffee with Ennio M.
|
Sommer, Lukáš |
2019 |
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Col foco.Muzske sbory na Michelangelovy sonety+
|
Málek, Jan |
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Cold Mountain Songs
|
Komorous, Rudolf |
1987 |
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Collage a la passacaglia
for piano |
Blatný, Pavel |
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Collage pro kytaru
|
Tausinger, Jan |
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Collapsing
|
Srnka, Miroslav |
2001 |
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Colloquies
for dulcimer and chamber orchestra |
Piňos, Alois |
1992 |
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Colloquio
|
Tausinger, Jan |
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tau2
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Colloquium, pro 4 kontrabasy
|
Tučapský, Antonín |
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tuč3
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Coloris imagination
|
Kupka, Karel |
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03837
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Coltrascension
for alto saxophone and percussion |
Kadeřábek, Jiří |
2007 |
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Come in
Song on the text by R. Frost for soprano, rhodes-piano and organ |
Dlask, Vojtěch |
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Come in sogno inquieto (Insomnia II)
for flute, clarinet, french horn, trombone, violin, viola, violoncello and contrabass |
Nejtek, Michal |
2019 |
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