Compositions (list can be filtered by the first letter of a composer name)
Composition | Composer | Creation year | Recording | Score available in HIS |
Score available in ČRo |
---|---|---|---|---|---|
My Love
Fragments for tenor and piano |
Fišer, Luboš | 1980 | |||
Partita
for 16 string instruments |
Ištvan, Miloslav | 1980 | |||
Concerto for saxophone and orchestra
version with symphonic winds |
Feld, Jindřich | 1980 | |||
Canto II
prepared violas and female voice (2nd part of the diptych Canto No. 1, 2) |
Ištvan, Miloslav | 1980 | |||
Good Day
for piano for 4 hands |
Kopelent, Marek | 1980 | |||
Podivný tanec Podpantoflíček
for piano for 4 hands |
Kopelent, Marek | 1980 | |||
Sonata
for violin and chamber orchestra |
Matoušek, Lukáš | 1980 | |||
Old and New Renaissance Dances
for Bass Clarinet, Piano, String Orchestra and Percussion |
Štědroň, Miloš | 1980 | |||
Elegantiae tripudiorum, symphonie minore
for chamber orchestra |
Novák, Jan | 1980 |
Nov11
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Behind the Gate
nonet inspired by Goethe's Faust |
Mojžíš, Vojtěch | 1980 | |||
Cinque Capricci /Capricinia/ for piano | Novák, Jan | 1980 | |||
Invisible Pictures from Childhood
Thirteen Returns to Tonality in an Uneasy Style |
Linka, Arne | 1980 | |||
I Stop Somewhere Waiting for You
for six male voices |
Adamík, Josef | 1980 | |||
Prolog a tanec
for 2 bass clarinets and piano |
Štědroň, Miloš | 1980 | |||
Dlouhá cesta
scénická hudba |
Štědroň, Miloš | 1980 | |||
Song
for piano |
Kopelent, Marek | 1980 | |||
Vrh kostek
for four reciters and tape |
Kopelent, Marek | 1980 | |||
Hajducké
na melodie ze sbírky Anny Szirmay-Keczer pro basklarinet a klavír |
Štědroň, Miloš | 1980 | |||
Vesna národů/Wiosna ludów
scénická hudba |
Štědroň, Miloš | 1980 | |||
Markéta Lazarová
scénická hudba |
Štědroň, Miloš | 1980 |